Corporate Identity Logotype Design Branding
Akorn Telecoms
ALO
Art Reoriented
Atelier Camelia
Aylat Rashid
Cactus Films
Deen Tight
Desert Adventures
DNK Art Consulting
EL HEMA
Focus Art Gallery
Foo Solutions
Jabira Ind l
LamasaTech
Meen Inta
MEIFF
Mirna el Jourdi
Mustaqbali
Oryx Magazine – Al Maha
PZ Monogram
SA47
Snaidero Middle East
Viceroy Hotel Group

Fashion
Morecult

Journals / Newsletters
Coma / ISTD
Go Green / UNDP

Packages
Casper&Gambinis Fries
Green Music CD

Posters
An Nafs
Arabic Type Today
Beirut! 3alal yameen
Bombing Beirut
Kaf-Boom
Ma7rousa ya 3arousa / Mulsaq Project
Massira
Who is the Arab / Stockholm Lecture

Publications / Books
Jet d encre
Jullien
Meem
Time & the other

Websites
Art Reoriented
AUB Alumni ML
Darina Al-Joundi
Foot Avenue
Khalil Khalil
 









Coma / ISTD
Arabic type is bound. It neither underwent any development or adjustment in the creation of printing in the 15th century with Guntenburg nor by the invention of the digital type on the computer. Arabic type is purely calligraphic in form. It contains different shapes of the same letter according to its position in the word, accents and diacritic dots which make it very complicated and hard to comprehend and write. In addition to that, it does not have any x-height or a clear baseline, and many more.
The masthead of the magazine is ‘coma’ and the ‘o’ is replaced by an arabic comma to state that the Arabic typography is in a coma. It is struggling for life. It’s dying if we, the arab typographers and politicians, don’t let it progress and develop. A ‘serum’ is placed on the cover of the magazine to clarify the message and acts as a promotional item for the magazine.
The visuals used in the journal are all based on visual rhetoric. Metaphor, simile, puns, etc were used to convey the message. The letter ‘Aleph’ is treated in different manners in each visual since the Aleph represents the proportions of the Arabic type.